Advance tickets guarantee entry to the show.
They are general admission only and DO NOT guarantee seating.
For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
Tickets ARE NOT mailed to you.
A NON-REFUNDABLE $2.00 per ticket service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
All Tickets purchased through the web site are NON-REFUNDABLE.
All tickets are non-transferrable.
The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
Advance tickets are only available through Schubas.com (until 5 pm day of show) and JamUSA.com when noted. Schubas does not have a physical box office. Walk-up ticket purchases are only available at Schubas beginning one half-hour before listed show time unless the show is sold out.
Shows are listed in chronological order.
All Shows are 21 and over, unless otherwise noted.
Want A Free Appetizer?
Stop by our Harmony Grill on the night of your show to receive a free Mini Mac 'n' Cheese with advance ticket purchase. Limit one per table.
- Monday 04/19/2010 9:00 PM
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- 18+
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- $12.00
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RSVP on Facebook
"If there was a spectrum on which every shade of chaos was ranked hierarchically, you would have to peg a Monotonix show somewhere to the left of total, complete and utter mayhem. Maybe you could call it demented pandemonium. Supposedly they are banned from half the live venues in Israel, at one place because a couple became so aroused that the man started to give his girlfriend oral sex. At a Tennessee show on their current tour, a man is said to have purposely set himself on fire. I saw them first in an enclosed-on-three-sides backyard at a funky east Austin venue called the Austin Typewriter Museum. You could smell the band before you could see ‘em – as soon as their van doors opened a wave of body odor permeated the entire yard. The drummer, a dead ringer for Borat with a gold dookie chain around his neck, proceeded to set up his badly battered, minimal kit in the dusty ground in front of the stage. Yonatan Gat, the guitarist, looks like Bob Dylan circa the Newport Folk Festival, plugged in his Fender (literally held together with electrical tape) to an amp, which was also on the ground in front of the stage. And that was it for set-up. And then it gets weird. There are absolutely no barriers between crowd and band. Singer Ami Shalev climbs whatever structures or other high vantage points are in the vicinity – could be a building or a tree, whatever – and hollers words in either English or Hebrew or maybe just primal screams. Or maybe he’s rolling around in the dirt, keeping time on the bass drum with his forehead. Or maybe he’s flying around in the crowd, knocking beers over or head-butting more garbage cans or blowing snot out of his nose. And the thing about it is, the pandemonium never ceases, never so much as lets up for a second, throughout. Often the show closes with the crowd spontaneously picking up the bass drum, with the drummer perched on top of it, still banging away on his remaining kit, and carrying him over their heads to the van. These guys did six of these shows in one day on Saturday. They have to be simultaneously the most physically fit and mentally deranged band I have ever seen, and already I have seen them three times. these shows are something beyond chaos. In fact, they are the perfect band for our time, the soundtrack and visual representation of a world that seems to be slipping out of control." - John Lomax, Houston Press
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