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Online Ticket Ordering

Advance tickets guarantee entry to the show.

They are general admission only and DO NOT guarantee seating.
For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.

Tickets ARE NOT mailed to you.

A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.

All Tickets purchased through the web site are NON-REFUNDABLE.

All tickets are NON-TRANSFERABLE.

The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.

Please add "no-reply@schubas.com" to your address book to ensure you'll receive your confirmation email.

Advance tickets are only available through Schubas.com (until 5 pm day of show) and JamUSA.com when noted. Schubas does not have a physical box office. Walk-up ticket purchases are only available at Schubas beginning one half-hour before listed show time unless the show is sold out.

Shows are listed in chronological order.

All Shows are 21 and over, unless otherwise noted.

Want A Free Appetizer?

Stop by our Harmony Grill on the night of your show (with a reservation set up ahead of time) to receive a free Mini Mac 'n' Cheese appetizer with advance ticket purchase & the rest of your meal. Limit one per table.
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  • Friday 04/23/2010 7:00 PM
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  • 18+

From the opening beats of Breathing Underwater, the listener encounters a bold new Marié Digby. In marked contrast to the stripped-down vibe of her debut disc, Unfold, the album’s fuller sound enhances Marié’s (pronounced Mar-ee-AY) emotionally rich storytelling and dramatic vocals. The album is a deeply personal snapshot of her life—full of the kind of exposed emotions that make great songs.

“Everything was born right there in the moment,” says Digby.

Written, produced and recorded over a three and a half month period in a Los Angeles studio, alongside renowned producers Brian Kennedy (Jennifer Hudson, Jesse McCartney, Rihanna), Ezekiel “Zeke” Lewis for the Clutch and The Movement among others, Breathing Underwater marks Digby’s evolution from “the girl with the guitar” to a fully-emerged artist. Familiar themes continue to dominate her writing—love and all the conflicted emotions that come with it. But as much as Digby matured creatively during the making of Breathing Underwater, she grew even more personally.

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