Whiskies of the World
Join us Thursday, May 22nd as Schubas continues its tradition of hosting multi-course whiskey dinners featuring some of the most prominent names in the whisky business. Tickets available now right here.
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"What's most remarkable about Bare's songs is how effortlessly catchy they are...The only real curiosity about Bare's career to date is that he hasn't yet become a big name in modern rock--the kind of artist whose every album is awaited with the eager anticipation that greets the latest from Spoon or the Shins." —Nashville Scene
With a big-as-the-room persona, an ability to rock the doors off the most jaded of clubs, the heart to hold a room completely still with just his guitar, and a genius for arrangement, Bobby Bare, Jr. and his band of merry makers are one of the most unique bands around. They are adept at abandoning common sense in favor of laying themselves at the feet of a rambunctious, freewheeling, and unfettered and unhinged muse.
In the late 90’s, he fronted the boss hog rock band, Bare Jr. With their two records, Boo-tay and Brainwasher, they memorably rocked out on a Nirvana-on-Skynryd-not-Sabbath groove, more indebted to the homebrew than "The Other H." These days he keeps himself even busier by appearing on albums by indie rock heroes like the Silver Jews and Frank Black and My Morning Jacket.
"Cory Branan is like a particular breed of bad boyfriend — never around when you need him, wildly inconsistent with his emotions, arrogant, vulnerable, quixotic, brilliant and, of course, ultimately irresistible." --Nashville Scene
We’ve had our eye on Cory for just about as long as he’s been honing his air-tight, clever version of the perfect storysong. For those who don’t know him, though, Branan is the owner of two well-crafted, kinetically charged albums—2002’s The Hell You Say and 2006’s 12 Songs—on Madjack Records. From the two releases came standouts ("The Prettiest Waitress in Memphis," "A Girl Named Go," "Tall Green Grass," and many others) that we’ve listened to in embarrassing amounts, and then probably annoyed our friends with to boot. He has garnered praise from Rolling Stone, GQ, Billboard, and performed on Late Night with David Letterman.
Two years after the critical success of her breakout second album, Indestructible Machine, Lydia Loveless emerges from the trenches of hometown Columbus, OH with the gloves off and brimming with confidence on Somewhere Else. While her previous album was described as “hillbilly punk with a honky-tonk heart” (Uncut), this one can’t be so quickly shoehorned into neat categorical cubbyholes. No, things are different this time around—Loveless and her band have collectively dismissed the genre blinders and sonic boundaries that come from playing it from a safe, familiar place.Writing from this new-found place of conviction, Lydia crafted 10 songs that are stark in their honesty, selfexamination, and openness. Somewhere Else is more elemental than any of Loveless’s previous material; it’s about longing for the other, whether that’s something emotional, physical, or mental, all anchored by her arresting voice that sounds beyond her years. Creatively speaking, if Indestructible Machine was an all-night bender, Somewhere Else is the forlorn twilight of the next day, when that creeping nostalgia has you looking back for someone, something, or just...anything.
On Somewhere Else Loveless is less concerned with chasing approval – she scrapped an entire album’s worth of material before writing this set – and more focused on fighting personal battles of longing and heartbreak, and the aesthetic that comes along with them. She might not steal your car after the relationship goes south, but you can be damn sure she’ll still take a baseball bat to the windows on her way down the street. She might even smile about it.
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