Advance tickets guarantee entry to the show.
They are general admission only and DO NOT guarantee seating.
For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
Tickets ARE NOT mailed to you.
A NON-REFUNDABLE $2.25 per ticket service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
All Tickets purchased through the web site are NON-REFUNDABLE.
All tickets are NON-TRANSFERABLE.
The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
Advance tickets are only available through Schubas.com (until 5 pm day of show) and JamUSA.com when noted. Schubas does not have a physical box office. Walk-up ticket purchases are only available at Schubas beginning one half-hour before listed show time unless the show is sold out.
Shows are listed in chronological order.
All Shows are 21 and over, unless otherwise noted.
Want A Free Appetizer?
Stop by our Harmony Grill on the night of your show (with a reservation set up ahead of time) to receive a free Mini Mac 'n' Cheese appetizer with advance ticket purchase & the rest of your meal. Limit one per table.
- Saturday 10/31/2009 3:00 PM
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- All Ages
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- $15.00 ($18.00 Door)
Time Out's Brent DiCrescenzo reviews Matt Haimovitz's latest, Figment
A sequel to his 50-State solo cello tour and recording, Anthem, released in 2003, Figment is a return to Haimovitz's signature solo set, embracing the musical communities of his two home countries, the US and Canada. Inspired by centenarian composer Elliott Carter and his two Figments for solo cello, the new program brings together a wide range of important new music for
cello and electronics by leading and emerging North American composers. From the Middle Eastern microtones of Gilles Tremblay's Threnody for Lebanon to Ana Sokolovic's Balkan folk-influenced Vez, from Serge Provost's cutting-edge Les Vertiges de S. for electronically-processed solo cello to up and coming composer/songstress Du Yun's San, a deconstruction of haunting ancient Chinese fragments, Figment embraces the diversity of our collective experience. The program, which also includes music by Steven Stucky, Luna Pearl Woolf, and composer/producer Socalled, celebrates innovative North American composers who seek a renewed lyricism and epitomize a new era of hope and creativity in the face of challenging times.
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