Ryan Hover and Kay Bertholf, composers, arrangers, and principle songwriters of Candy Claws, wrote Hidden Lands on keyboard because they don’t know how to play keyboard. They had to rely completely on what sounded right, rather than rely on techniques they had learned. Strange chords and melodies arose that might sound “wrong” to the trained musician, but sound mysterious and exciting to them.
Each song on Hidden Lands contains a sample of every other song on the album. They’d used this technique on previous releases, but this time around it happens throughout the whole album, creating a very cohesive listening experience. Sometimes you’ll be able to recognize a bit of a song within another, but perhaps more interesting are the references only your subconscious will catch. Without you noticing, your mind (and maybe your heart!) will make the connections, bridging the bridge of one song to the intro of another, taking in the album as a whole, just like albums should be.
“My brothers and I were surrounded by music growing up,” explains Kamtin Mohager, the shape-shifting singer/multi-instrumentalist behind the Chain Gang of 1974. “Not Beatles albums or anything like that; more like the Persian records our parents played all the time. And when we got older, it was up to us to discover everything.” Born in San Jose and raised in Hawaii, Mohager spent his first 13 years obsessing over inline hockey and the idea of being drafted by the NHL one day. A series of life-changing events were set in motion once Mohager’s family moved to Colorado, however. The first of which involved the final scene from Real Genius—quite possibly Val Kilmer’s finest hour—and its penultimate ‘popcorn song’, a.k.a. “Everybody Rules the World.” “I love ‘80s music, but not typical new-wave stuff,” says Mohager. “Like I’m way into Tears For Fears and Talk Talk, the other side of the spectrum, really.” That’s abundantly clear on White Guts, a record that’s nearly as restless as Chain Gang’s previous collection of early recordings, Fantastic Nostalgic.
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